At the end of the twentieth century, the concept of memory is hotly debated: some argue that we have become locked into a state of cultural amnesia, others argue that the need to remember has become a cultural malaise. This multi-disciplinary course explores the intersections between public and historical memory in the construction of national identity, the role of memory in the archive and the exploration of memory in contemporary visual practise, film and fiction.

By the end of this course you should be able to:

1. Demonstrate knowledge of important theoretical debates about memory and how they are mobilised in public discourses and institutions such as the memorial and the museum
2. Relate theoretical debates about memory to developments in the visual arts.
3. Present written and oral arguments about the ways in which memory and the past is configured in public discourses and institutions and within the visual arts.

2000-3000 word essay (60%), tutorial presentation (30%), participation (10%).

Attendance at lectures and tutorials is compulsory.

3 contact hours per week

ARTV1009, 1010; or with approval