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Course Details |
Fees and Dates
| Offered By: |
School of Art |
| Academic Career: |
Graduate Coursework |
| Course Subject: |
Digital Art |
| Offered in: |
Second Semester, 2010 |
| Unit Value: |
6 units |
| Course Description: |
This course continues the study begun in semester one and complements and parallels DART6504. It extends the theoretical and aesthetic studies of techniques of sound synthesis and signal processing in contemporary computer music composition and performance. It concludes with a review of up to date resources and directions in Computer Music. |
| Indicative Assessment: |
Through research and creative outcomes. Final project to be presented to a Viva examination panel. Research Essay and Presentation (50%), Final Project (50%) |
| Workload: |
All sessions take place in a computer laboratory: 3 hours of seminar / studio practice per week Students are expected to do at least an extra 4 - 6 hours of independent studio practice each week |
| Course Classification(s): |
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| Areas of Interest: |
Digital Arts |
| Requisite Statement: |
DART8102 Theory and Aesthetics in Action 1 or by permission of the Convenor |
| Preliminary Reading: |
- Roads, Curtis. The Computer Music Tutorial, Cambridge, Mass: MIT Press, 1996.
- Emmerson, Simon (ed). The Language of Electroacoustic Music, MacMillan Press, 1986.
- Cottle, David. Computer Music with Examples in SuperCollider 3, 2007. (Online)
- More extensive reading list available from lecturer
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| Programs: |
Master of New Media Arts |
| Academic Contact: |
Dr Alistair RIddell |
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